It was 2 AM, and the phone rang, jolting me out of my dreams. With a voice as smooth as silk and as steady as a heartbeat, I introduced myself. “Cat. Dewie the Cat.” On the other end of the line, Detective Hull, sounding as weary as ever, said, “Dewie, we need you.” That’s all it took. I was up, pulling on my flea collar, headed to the scene of a crime that would rattle our small community to its core. The Victim: Edgar, the Beloved Maine Coon Cat Edgar wasn’t just any cat. He was a fixture in our town. A nine-year-old Maine Coon with a personality as big…
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The Secrets Behind Writing Riveting Television Screenplays You too can become filthy rich by crafting exciting police, courtroom, and crime scene investigation television dramas
Prosecutor: “You killed her, didn’t you!” Defendant: “No, no. I’m innocent.” Prosecutor: “Admit it. Your DNA was all over the maid!” Defendant: “Alright, alright. I did it. Now, please. Let go of my throat.” There’s no secret to writing riveting screenplays for television. I should know. I’ve written thousands of them. From Naked Homicide and The Streets of Wichita, Kansas to every conceivable flavor of Law & Order and CSI series known to man. I’ve won 37 Emmys, 15 Golden Globes and have been nominated for more than a dozen Academy Awards, 6 Tonys, and 3 Grammys. But, as I get on in years, I feel compelled to share some…
